Enotria: The Last Song is a sunny soulslike that has an unusual sense of joy on the surface—but there’s a lot of dark stuff ...

Despite its theatrical premise, Enotria rarely puts on a show and could therefore do with more frequent cinematics for its ...

Enotria: The Last Song trades the darker environments and undertones of a traditional Soulslike for a brighter, more deeply ...

WhileEnotria: The Last Songstrives to be unique in a variety of ways, it can still be considered rather generic, from a ...

"Yay, the evil is defeated! How about doing it a century or so earlier next time while there's still someone left to drain all these poison swamps?" This isn't a problem for Enotria: The Last Song, ...

This challenging ARPG swaps the sub-genre traditional grim-dark worlds for a more sunny and lively alternative.

Enotria The Last Song won’t be GOTY, but its wry adaptation of the soulslike formula into masked theatre has won me over ...

The Last Song is subject to farming, but unlike other games in the genre, it welcomes the concept with open arms.

Enotria: The Last Song is a soulslike title inspired by Italian folklore, bringing a sunnier vibe to the gloomy genre, ...

Parrying is the heart and soul of Enotria: The Last Song's combat formula. While dodging also works at times, mastering how ...

The Last Song are playing a dangerous game by revealing an Improvements Roadmap that should be polished by now.

Zanni, the First Mask is the first main boss in Enotria: The Last Song a unique souls-like experience based on Italian folklore, featuring characters from Commedia dell'Arte. Taking down Zanni can be ...